[EDIT: The sketch associated with this post has moved to the "extras" section, here.]

Chapter 3 begins this Friday with a full-color chapter cover, and the comic proper will begin the following Wednesday.

In the meantime, I thought I’d distract you with my depictions of some pulp heroes who inspired Kitty Hawk, seen here in their civilian attire. If you’re not familiar with these characters, I’ll tell you a little about them. If you are familiar with them … well, that’s why there’s Kitty Hawk.

Clark Savage, Jr – “Doc Savage“, aka “the Man of Bronze”. Raised from birth to become the pinnacle of humanity, he uses his brilliant scientific mind and incredible physique to fight injustice and solve mysteries. He is aided in this quest by a team of people almost as remarkable as himself. (I’ll likely feature these folks in a forthcoming Pulp Hero Sketch Spotlight if this becomes a regular thing.) Like Kitty Hawk, he has no alternate identity when he goes adventuring. He occasionally disguises himself for brief periods, but a 6′8″ Eskimo is hardly inconspicuous.

Ellen Patrick – “the Domino Lady“. A pulp hero with a shorter resume, she is nevertheless remarkable for being one of the very few recurring female pulp heroes, though admittedly not a very progressive one. The daughter of a murdered DA, she disguises herself in a domino mask and a revealing evening dress in order to deliver a peculiar kind of justice to wrongdoers. This mostly involves seducing, drugging, or robbing her intended targets. She’s more an inspiration for Kitty Hawk in that she’s what I wanted to avoid, though there’s certainly room for a character like her in this world (not to mention the world of Kitty Hawk…).

Lamont Cranston – “the Shadow“. I’m sure you’ve all heard of this guy. With his cloak, scarf, and slouch hat, he cuts an awfully iconic figure without the need for a “costume.” You might actually see someone in his era wearing any of these items, though probably not all at once.

Richard Henry Benson – “the Avenger“. Physically and emotionally scarred by a shocking crime, his face became paralyzed and his eyes and hair took on a silver hue. Benson soon discovered he could ply the muscles in his face to take on the appearance of other people, a technique he used to avenge himself and others. Um … okay, there’s no real connection to Kitty Hawk here. I just wanted to draw him.

We’ve been getting things ready for the new, twice-weekly format, and that caused a couple problems with our site. Comics weren’t updating correctly for a while, there. Anyway, things should be back to normal. Browse around the archives to see if you missed any pages of Colossa.

And again, if you’re in the vicinity of Maine, check out the Maine Comic Arts Festival next weekend. I’ll be there selling The Sting of Defeat, some art prints, and Inbound #3. Check out the guest list. They’ve got some heavy-hitters for a first-time convention!

One more week until the new chapter of Kitty Hawk! I’d better get this stuff done.

While I’m finishing another comic project and moving into a new apartment over the next few weeks, you will still be able to enjoy regular comic updates right here. Starting Friday I’ll be posting pages of Colossa, my contribution to Inbound #3: the romance issue. You don’t have to wait to see the whole story, though. You can order a copy of the book for yourself and read Colossa and other great stories by Boston indie comics creators. At 72 pages, it’s a whole lotta lovin’ for the low price of $8.

And starting next week, you’ll get even more updates on this site. That’s right, we’re updating twice a week – Wednesday and Friday! We’ll start this schedule with Colossa, and continue it when Kitty Hawk returns in May with Chapter 3.

Stick around – we’re just getting started!

At long last, we’re winding down the second chapter of Kitty Hawk.  I emailed Braden the scripts for the final two issues yesterday, so the end is solidly in sight.  The chapter turned out to be much longer than I expected–or at least, to take much longer to tell.  I had originally planned for it to be a quick, adventure-y episode to break up the larger plots and introduce some elements for later use, but it dragged out in the writing.  Reading it over, it’s not as slow or laborious as it felt in my head while we were putting it together, but the writing process definitely highlighted for me the drawbacks of our weekly micro-issue format.  Updating only once a week is a real hindrance, not only to audience-building, but to plotting and scripting as well.  It’s difficult to retain momentum and immediacy when you only need to be on stage once a week (also it encourages pacing breaks which are not the most sensical in the long run).

I still think there’s potential in the multi-page format, but it doesn’t outweigh the drawbacks of a weekly schedule.  If we’d had the resources to put out two issues a week, it might have been a different story, but four pages is definitely beyond our means right now.  Perhaps there will be more experiments in the future–and perhaps not.

The good news, for those of you who are still reading after all that paragraphy, is that we’ll be embracing a new format when we start chapter three, which will be not only more frequent in its updating, but more friendly for web reading.  At the same time, I plan on making a lot of changes to the plotting and pacing of the strip, making things a little more dynamic and giving the story more forward motion.

We’ll have more details over the next couple weeks, so stay tuned.  Excelsior!

(cross-posted At the Elephant.)

We’re still working out the details of a store where you will be able to buy the original art from pages of Kitty Hawk. In the meantime, if you’re interested in owning a little bit of my original art and contributing to a good cause, you should check out the sketch card auctions organized by Comics For Cures. Proceeds from these auctions go to the American Cancer Society. You can find my cards here:
Kitty Hawk
Adam Strange
These auctions end on April 4, so bid early and often.